António Ole was born in Luanda in 1951 and began his artistic production while in high school. Influenced by painters like Picasso and Braque and encouraged by his teachers, he began to participate in group exhibitions in his hometown. From then on, his creative potential went beyond painting, with incursions in film, photography, and sculpture, without limiting himself to techniques or formulas. Tangential references to pop art and abstract expressionism, particularly in his assemblages, express a direct link to the peripheral architecture of the musseques of Angolan cities. In this way, the artist recognizes the creative power found in the strategies of everyday survival. His work invites an approach to his artistic path as an open work of art, where the public enriches his work through their interpretations.
António Ole’s work introduces the necessary debate about the neocolonial gaze, and the clichés used to define African art. The themes are inspired by traditional art updated through a contemporary discourse, unfolding in aspects such as slavery, poverty, war, and colonialism. From this arises an urban archeology with global aspects, which also addresses human intervention in nature. The landscapes found in the urban limits, portrayed in his photographic triptychs, juxtapose environmental conditions, geological layers, and socio-historical temporalities.
His studies in Film at the American Film Institute in Los Angeles, and in Afro-American Culture at UCLA (University of California, Los Angeles), his trajectory as a director of programs for Angolan television, as well as his multiple art exhibitions and biennials such as: the Museu da Moeda in Angola, the Museum of African-American Art in Los Angeles, the Museum of Contemporary Art in Chicago, the Smithsonian Museum of African Art in Washington, MoMa P.S.1. in New York, the Centre Georges Pompidou in Paris, the Venice Biennale,the Martin Gropius Bau in Berlin, the Museum Kunst Palast in Dusseldorf, the São Paulo Biennial, the Havana Biennial, reaffirm his contemporaneity. Without losing the link with his roots, António maintains a constant dialogue between the past and a present in hectic construction.
SELECTED SOLO EXHIBITIONS
2017 Magnetic memory / resonance, Angola Pavilion, Venice Biennale, Venice
2016 ANTÓNIO OLE. Luanda, Los Angeles, Lisbon, Calouste Gulbenkian Museum, Lisbon
2015 Espírito Caluanda - Camões, Instituto da Cooperação e da Língua, Luanda
2014 Observatório dos Sentidos - Camões, Institute for Cooperation and Language, Luanda
2013 António Ole. Memory and Forgetfulness. Memoria y Olvido, Fundación Carlos de Amberes, Madrid
2011 CONTENTORS: António Ole, Centro Cultural de Belém, Lisbon
2009 Contrary Alignment, Goethe-Institut, Nairobi
2009 Hidden Pages, Iwalewa Haus, Bayreuth
2009 In the Skin of the City, Camões Institute - Portuguese Cultural Center, Luanda
2008 Made In, Elinga Theater, Luanda
2008 Encompassing the Globe, National Museum of African Art - Smithsonian Institution, Washington DC; Palais des Beaux-Arts, Brussels
2005 Pan-African Exhibition of Contemporary Art, Museum of Modern Art of Bahia (Solar do Unhão), Salvador
2004 António Ole, Marcas de Um Percurso (1970/2004), Culturgest, Lisbon
2003 António Ole & Contiguidades, Portuguese Cultural Center, Luanda
2003 Looking on a Journey, Alliance Française, Salvador
2001 Hidden Pages, Stolen Bodies, Veemvloer - 19th World Wide Video Festival, Amsterdam
2000 Angola-Brazil - 500 Years, House of Angola, Salvador
1999 The Body of Painting, Espaço Cultural Elinga, Luanda
1997 Retrospective - 1967-1997, Portuguese Cultural Center, Luanda
1996 Breaking Boundaries, Grahamstown Festival
1994 Margin of the Boundary Zone, Elinga Cultural Center, Luanda
1993 The State of Things, Elinga Cultural Center, Luanda
1988 Cycle 1985-1988, Faculty of Architecture, Luanda
1985 António Ole, National Bank of Angola, Luanda
1984 António Ole, Museum of African American Art, Los Angeles
1968 António Ole, Museum of Angola. Luanda
SELECTED GROUP EXHIBITIONS
2022 Red Tape, .insofar Art Gallery, Lisbon
2017 57ª Biennale di Venezia
2016 Olongombe – Moçâmedes, Lubango, Benguela, Luanda
2016 Expressões em Prata, Museu da Moeda, Luanda
2015 56ª Biennale di Venezia
2013 Sentido em Deriva, Culturgest, Lisboa
2013 55ª Biennale di Venezia
2011 Elos de Lusofonia, Museu Histórico Natural, Rio de Janeiro; Museu Afro Brasil, São Paulo
2009 Artists in Dialogue (com Aimé Mpane) – National Museum of African Art – Smithsonian Institution, Washington DC
2008 Travesía, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria
2008 5ª Bienal de São Tomé e Príncipe
2007 Body of Evidence, National Museum of African Art – Smithsonian Institution, Washington DC
2007 Africa Remix, Contemporary Art of a Continent – Museum Kunst Palast, Düsseldorf
2006 Leo et Bos, Art Orienté Objet (com Marion Laval Jeantet e Benoit Manjin) – Museu das Forças Armadas, Luanda
2007 Réplica e Rebeldia, Siexpo, Luanda
2005 Às Portas do Mundo, Palácio D. Manuel, Évora
2005 Independências, Sociedade das Artes, Macau
2003 Transferts, Africalia, Palais des Beaux-Arts, Bruxelas
2003 Dreams and Conflits: The Dictatorship of the Viewer – The Structures of Survival –, 50ª Biennale di Venezia
2002 The Short Century, Martin Groupius Bau, Berlim; Museum of Contemporary Art / Chicago; P.S.1/MoMA, Nova Iorque
2000 IV Rencontres de la Photographie Africaine, Bamako
2000 Il ritorno dei maghi. Il Sacro nell’arte africana contemporanea, Pallazo dei Sette, Orvieto
2000 Travessias, Instituto Camões, Luanda
1999 Ad Libitum, Centro Cultural Banco Bandeirantes, São Paulo
1998 Nuovi linguaggi nell’arte contemporanea africana, Istituto Italiano per l’Africa e l’Oriente, Roma
1998 Dak’Art 98, Dakar
1998 III Rencontres de la Photographie Africaine, Bamako
1997 Die Anderen Modernen, Haus der Kulturen der Welt, Berlim
1997 VI Bienal de La Habana
1997 2nd Johannesburg Biennale
1997 Arte Lusófona, Sintra
1996 Remote Connetions, Art Focus, Jerusalém
1996 Container 96 – Art across Oceans, Copenhagen
1995 1st Johannesburg Biennale
1995 Biombos, Instituto Camões, Luanda
1994 Além da Taprobana, Lisboa/Rio de Janeiro
1992 O Rinoceronte. Pegadas na Torre , Torre de Belém, Lisboa
1992 Pabellón Africano – Expo 92, Sevilha
1992 Três Artistas Angolanos, Cooperativa Árvore, Porto
1991 16 Artistas de Angola, Padrão dos Descobrimentos, Lisboa
1991 Contemporary Art from Southern Africa, Glasgow
1991 II Exposição de Arte do Banco de Fomento e Exterior, Luanda
1989 Art/Images in Southern Africa, Kulturhuset, Estocolmo
1989 I Salão Internacional de Artes e Cultura, Luanda
1989 Pachipamwe 2nd Workshop, Bulawayo
1988 Salão Internacional de Maio, Luanda
1988 Ponte sobre os Mares, Mosteiro dos Jerónimos, Lisboa
1988 Arte Contemporânea Angolana, São Paulo, Salvador
1987 19.ª Bienal de São Paulo
1987 Exposição de Arte Angolana em Portugal
1987 Salão de Artes Plásticas, Lubango
1996 II Bienal de La Habana
1973 Salão de Arte Moderna, Luanda
1969 VIII Festas do Mar, Moçâmede
1969 Salão das Festas da Cidade, Luanda
1967 Salão Universitário, Museu de Angola, Luanda
SELECTED ART COLLECTIONS
Assembleia da República, Lisbon
AFRICANA Art Foundation, Geneva
Banco Espírito Santo, Luanda
Banco Nacional de Angola, Luanda
Centro Cultural Português, Luanda
Costa Reis – Compilação de Arte, Luanda
Culturgest, Lisbon
Detroit Institute of Arts, Detroit
ENSA – Seguros de Angola, Luanda
Calouste Gulbenkian Foundation, Lisbon
Sindika Dokolo Foundation
The Gencor Collection, Johannesburg
Linda Givon Collection, Johannesburg
Museu de Angola, Luanda
Museum of African American Art, Los Angeles
Staatliche Museum – Dahlen, Berlin
Wifredo Lam Foundation, Havana
SELECTED PRESS
2021 António Ole apresenta Matéria Vital, Hamilton Viage, Forbes – África Lusófona.
2020 Arquivo, arte e memória: ruínas e vestígios na poética de António Ole e Kiluanji Kia Henda. Revista Africa[s]. Uneb, Brasil.
2017 História de Angola na Bienal de Veneza, Jornal de Angola.
2016 António Ole, o angolano de múltiplos talentos, João Carlos, Deutsche Welle
2016 António Ole, um artista em trânsito no mundo, José Marmeleira, Jornal Público Portugal.
2015 The Venice Questionnaire 2015 #6 : António Ole, ArtReview
2013 Entrevista: António Ole, pintor, escultor e cineasta Angolano, Carlos Alberto Alves, Revista Sankofa n° 13. USP. Brasil